This is, ahem, very personal. If that makes you uncomfortable, you might want to read something else today. Remember in the Sound of Music when Leisl tells Rolfe about the telegram she would write him as they exchange teenage love declarations in the gazebo? She started with, "Dear Rolfe (stop)" and then he called her a baby.
If my heart wrote my soul a telegram yesterday, it went something like this:
I have two fears (stop)
I wasn't prepared to feel what I felt or to feel it so intensely. But, the telegram didn't get sorted until about 11:00 pm last night when I finally stopped the repetitive rhythm.
Yesterday, Patrick and I trekked up to the INHABIT conference on the Upper West Side, sponsored by the International Arts Movement. We listened to plenary speakers and attended breakout sessions with several hundred other folks from across the country who care about the ways art intersects with faith and how that translates into culture care.
And in the middle of all the note-scrawling and introductions and processing, I realized I had never invited someone into this space before. This very metaphysical, very precious and precarious space I had tucked deep away where it couldn't get broken.
Maybe it's what a comic book junkie feels at a comic book convention or what a car enthusiast feels at a car show or a musician feels about the symphony. I know I'm not the only one who feels uniquely at home in a very unhome-like space because I am surrounded by people who speak the same language.
This is what I feel when I pack my notebooks and pens, when I check in at registration, when I listen to the philosophical implications of architectural structures and the words communicated through a brick used in its traditional function or adapted for a new purpose. This is what I feel when I am around people asking questions about beauty and meaning and longing - people who wrestle and wander and wonder because it feels right to do so.
Eric Liddell's painful conclusion in "Chariots of Fire" paints well the picture of this affection and deep delight, "God made me fast. And when I run, I feel His pleasure."
I'm not sure how exactly God made me - I am not fast like Eric Liddell, nor am I particularly brilliant in a profession, nor am I an established or even struggling artist.
I just know that when I work the muscles in my brain and respond with the muscles in my heart and typing fingertips, I feel His pleasure. I feel His pleasure in a strange and not altogether happy way, but in a way that I do not feel anywhere else. There is a familial comfort in knowing that other people want to use the same language, to plumb the same depths, to wrestle the same lions - believing it is a worthy pursuit and even a pursuit that reflects and delights our Creator.
These types of gatherings have been home to me for years and there are few people who share the same affinity. But that's never mattered before. I do not expect people to understand this language and I've learned to filter my excitement and my conclusions and my muddled processing.
But yesterday, the fear-filled telegrams pushed up behind my eyes. I felt a bit like my self-confident exterior got cracked like an egg and all my fear dripped out. So, I have two fears.
I am afraid of being misunderstood. I am also afraid of being dull.
I am afraid that my love for beauty and questions and doubts and language and words (and all those things I have hidden in a precious and precarious place) will not make sense to the person I love the most. I am afraid words won't come and when they do, that they will tumble out incoherently.
I am also afraid that my rambling and circular processing and childilke chasing will make my favorite person bored. I am afraid he will not enjoy the moment in a superlative way and that his lesser enjoying will be my fault.
I am not saying this is rational, I am just saying this was the telegram that I was finally able to communicate to Patrick last night after we rode his motorcycle out of Manhattan. Between sighs and frequent pauses in our late night, neighborhood pizza joint, I tried to explain that I didn't need him to love what I love or to understand why this language feels like home. I explained that I didn't need him to be someone who loves conferences and note-taking and the cultural implications of the functionally changing purpose of bricks.
I just don't want to feel crazy.
I just want so much for him to experience the superlative delight I feel when I'm around this language. Whatever that is for him, I want to say yes to it. Part of what pained me yesterday was thinking that I had asked him to live less in the full delight God prepared.
In his typical and patient way, he told me I wasn't crazy. He really said a lot more, but I think I just needed to hear that I wasn't crazy and that I hadn't ruined his day by making mine great.
I didn't expect to learn this lesson along the way of love. I really didn't expect to struggle so sincerely, but I guess I didn't know how precious or precarious this language was to me.
And in this lesson learning, I am bending to the beauty of Christ's love. Alone, I can hide things and keep them safely hidden. Alone, I can pretend my vulnerabilities are transparent and my guard is appropriate. But in love, I can see how tenderly Christ completes my affections - how perfectly he understands my needs and how patiently he provides.
I did not know my soul required this kind of care and I was overwhelmed yesterday when I realized Christ has been caring for me in this way all along.
As I receive love (by way of opening up my hidden spaces), I can boldly believe it casts out fears.
Two fears is too few, but it was the number needing cast out yesterday and I believe Christ is able. Not only that He is able, but that He promised to be the One who casts out. I believe that.
I am so thankful for these hard lessons, for these painful purgings of what I didn't know was hidden.
My uncle sent me the above song today, a song I have returned to when I need a reminder of Christ's sufficiency. Today was a beautiful day to be reminded.